The Further Adventures of Lord Quas
New Quasimoto. It came out yesterday, I bought it 30 minutes ago. Here is my first listen.
This is some crazy drug music.
Crawling on the walls shit. Slow motion living.
Greenery, Hydrant Game? heeeeaaaw.
Don't Blink: Shit never hits me instantly like this.
Players of the Game... that time signature/sample switch. wooh, what newness.
The Van Peebles samples on Bus Ride a. may be overdone (we'll see what i think later) and b. keep this album far away from me playing it around people.
Closer: How does Madlib get MF Doom to sound so much cooler? Nasty beat.
Maingirl: beat reminds me of one of the Madvillainy interludes. that's a good thing. The falsetto-man interlude does not need to be there. this beat strikes me as... unvisionable. I just can't see how he heard these samples and said "let's put this together." Interlude at end: that snare. I want madlib to produce my pop record.
Bartender Say: let this intro be the beat! yessss. sweet. it's like a Doom jazz-lite beat... turned evil. this is the sort of beat that will change hip hop, i hope. I think Doom may have influenced 'Lib. That is a dream come true. So happy right now.
1994: blacksploitation beat. swinging. hot. and so minimal. there is no snare. just tambourine, conga and bass drum.
Raw Deal: it's like Come On Feet in turbo.
Mr. Two-Faced: he did the beat magic again.
The Exclusive: that synth in the ending interlude is potent. glad he threw that in.
J.A.N.: another wonderous beat. bahaha. "the vip list is long. the std list is strong." skipping ass music.
Shroom Music: oh mygod the most fucked beat yet. i am in space. my name is Bird. r.i.p. hip hop. nature sounds? giant synth... the drum loop: slamming. and hey, that "whawouldjuget" sample from the last album.
Rappcatts pt. 3: that crazy carnival music bit at the start. please, let it come back. yes! there it is. 1:38. oh what drugs. whoa. JB cutup with triplets. hot. i am in the future.
Strange Piano: will it live up to its name? ah... what is going on. ok. there's the beat. i think the 1 of the piano may be on a snare, which falls on the 2. it doesn't help that there's no bass drum in this song. haha. "snare drum awareness," he says.
Life Is: beats aren't supposed to work like this.
Raw Addict pt 2: a hip hop song with an instrumental melody chorus. that doesn't happen. awesome. ... that's so obvious. why didn't this happen before?
Tomorrow Never Knows: the drugs... oh the drugs. where does he find these records. why does he use these records. gloriously untraditional. yaahahah "they know that the american forefathers took drugs. and you probably don't even know where your father is."
Privacy: this beat reminds me of boy bands in the best way. that descending bass part with drum hits on each note. mmhm. what kind of ending is that! man.
What a great addition to a great day this album is. Is this better than the first? that's almost blasphemy. my lord, madlib, you are the goddamn man.
This is some crazy drug music.
Crawling on the walls shit. Slow motion living.
Greenery, Hydrant Game? heeeeaaaw.
Don't Blink: Shit never hits me instantly like this.
Players of the Game... that time signature/sample switch. wooh, what newness.
The Van Peebles samples on Bus Ride a. may be overdone (we'll see what i think later) and b. keep this album far away from me playing it around people.
Closer: How does Madlib get MF Doom to sound so much cooler? Nasty beat.
Maingirl: beat reminds me of one of the Madvillainy interludes. that's a good thing. The falsetto-man interlude does not need to be there. this beat strikes me as... unvisionable. I just can't see how he heard these samples and said "let's put this together." Interlude at end: that snare. I want madlib to produce my pop record.
Bartender Say: let this intro be the beat! yessss. sweet. it's like a Doom jazz-lite beat... turned evil. this is the sort of beat that will change hip hop, i hope. I think Doom may have influenced 'Lib. That is a dream come true. So happy right now.
1994: blacksploitation beat. swinging. hot. and so minimal. there is no snare. just tambourine, conga and bass drum.
Raw Deal: it's like Come On Feet in turbo.
Mr. Two-Faced: he did the beat magic again.
The Exclusive: that synth in the ending interlude is potent. glad he threw that in.
J.A.N.: another wonderous beat. bahaha. "the vip list is long. the std list is strong." skipping ass music.
Shroom Music: oh mygod the most fucked beat yet. i am in space. my name is Bird. r.i.p. hip hop. nature sounds? giant synth... the drum loop: slamming. and hey, that "whawouldjuget" sample from the last album.
Rappcatts pt. 3: that crazy carnival music bit at the start. please, let it come back. yes! there it is. 1:38. oh what drugs. whoa. JB cutup with triplets. hot. i am in the future.
Strange Piano: will it live up to its name? ah... what is going on. ok. there's the beat. i think the 1 of the piano may be on a snare, which falls on the 2. it doesn't help that there's no bass drum in this song. haha. "snare drum awareness," he says.
Life Is: beats aren't supposed to work like this.
Raw Addict pt 2: a hip hop song with an instrumental melody chorus. that doesn't happen. awesome. ... that's so obvious. why didn't this happen before?
Tomorrow Never Knows: the drugs... oh the drugs. where does he find these records. why does he use these records. gloriously untraditional. yaahahah "they know that the american forefathers took drugs. and you probably don't even know where your father is."
Privacy: this beat reminds me of boy bands in the best way. that descending bass part with drum hits on each note. mmhm. what kind of ending is that! man.
What a great addition to a great day this album is. Is this better than the first? that's almost blasphemy. my lord, madlib, you are the goddamn man.
posted by Will at 7:06 PM
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